Happy Birthday, little book.

Saying this is a dream come true is an understatement. Four years ago yesterday, June 15, 2016, this little book was officially released.

This particular adventure started in 2015 when I saw Gabi Campanario at one of our Seattle Urban Sketchers meet ups. He was standing near me, and I thought to thank him for including my work in his books, the first two in the Handbook series. What an honor it was, I couldn’t believe it!!! Surprisingly, he looked at me and said, “What about you? You should write a book. Do you want me to put you in touch with my editor?” Literally picking my jaw off the floor, I mumbled, “Sure,” but the voice in my head was screaming, “WHAT did he just say????” Of course, the humble and generous Gabi was true to his word, and very shortly after, he connected me with his editor, Mary Ann Hall at Quarry Books/Quarto publishers.

Mary Ann said I should write up a short proposal with a description, stating how this book would be different from others on the market. Having bought every drawing book on perspective known to mankind, I knew that all the books were focused on studio perspective, that is, something like boxes on a table top — useless if you want to sit on a street and sketch. That was what my book would talk about, bridging the conceptual world of studio perspective with the “what the heck do I do when I want to sketch on location” world. I had been teaching perspective sketching in college for decades, but had just started teaching workshops in Seattle. I knew perspective in and out from my work as an architectural illustrator and my background as an architect. The proposal poured out of me in only a few minutes, and I sent it off. BOOM. It was approved, and before I could catch my breath, I was writing a book!

I knew what I wanted the book to say. I had come up with my own original concepts for teaching, things like “starting with the shape of the face or space”, or ignoring the term “horizon line” and instead using your “eye-level line” (it’s much more relevant to sketching on location.) I had never seen anyone else use these and other terms in the way I talked about them. The hard part was finding the sketches that would illustrate the teaching points. I combed the internet, looking at the work of my hero sketchers, friends, but also finding new folks I hadn’t seen in other books. It was a herculean task to coordinate it all. I’m so incredibly grateful that so many talented artists and architects from around the world were willing to share their work, for nothing but a copy from the publisher and an opportunity.

As I wrote the text, I laid everything out in InDesign for my own understanding, as I had to see how the parts would all go together…the right text with the right sketch, the diagrams in the right order, the right adjacencies and notes. We went through lots of rounds of edits, and I probably was too ambitious in trying to pack so much information into one small book. There was just too much I wanted to say!

Months later, it’s June 15, 2016 and I’m signing copies of the book at the Seattle-based Daniel Smith store. Such a surreal moment, I cannot tell you. I’ve since been sent photos of this book on sale at the Art Museum in Sydney Australia, the Tate Modern in London, the Uffizi in Florence (I went and found them there as well, snuck the copies into a corner, signed them, and put them back on the shelf), and even the Louvre bookstore in Paris, in French. Crazy. Blew my mind to see to see it on Amazon ranked next to the books by my hero authors that I had used in architecture school.

The title, Understanding Perspective, came from Mary Ann Hall, and it was perfect.

I picked the cover image for two reasons: one, everyone loves Paris! Two, it was done during the first few days of my time in Paris with the Gabriel Prize fellowship, so it means a lot to me personally. I hoped it would bring good luck!

The image on the back cover is by Gabi and is a view of the Seattle waterfront (our common home town) and the viaduct, that I knew would be gone a few years later. It’s my nod to thank him.

Let me also say that there is very little money in writing a book, even one that sells well. It’s much more about sharing knowledge and experience, sharing my perspective on perspective (yes, I did just write that), and creating something that will likely outlive me. Hopefully my children and grandchildren can look to it one day and feel proud. My dad had always told me I should write a book (I think he imagined a NYT bestseller 😉 and the opportunity to write this book came just after he passed away. I hope he is somewhere, smiling… as for me, I’m still living the dream and am grateful every day.

Workshop: San Antonio, TX | March 2020

Hi y’all! Yes, I’m doing another workshop at the fabulous Pearl in San Antonio, TX. Registration is open now, so contact me ASAP at stbower@comcast.net to be pencilled in!

GOOD BONES SAN ANTONIO Texas | Perspective + Watercolor Sketching Workshop
March 13-14 + 15, 2020
Good sketches start with Good Bones! In this workshop, you’ll learn the simple steps to set up the foundations of a great architectural sketch in Perspective and Watercolor. How do you start a location sketch? Where is the darn Vanishing Point? Watercolor is too overwhelming!

Held in the amazing historic PEARL DISTRICT along the Riverwalk, this workshop offers 2 full days of instruction. The first day is devoted to learning the fundamentals of on-location perspective through demos and sketching on-site. Day two introduces basic watercolor mixing and techniques. Day 3 is a half day that puts it all together in an open sketch meet up!


GOOD BONES Day 1 | PERSPECTIVE | Friday, March 13 | 9am – 4pm* | Meet in front of Cure   We will learn perspective basics and a simple step-by-step process to construct an architectural perspective sketch, how to build the sketch in layers; learn what to look for when sketching perspective on location—how to find your eye level and vanishing points to provide the good bones of any sketch; learn how to measure proportions and relationships of spatial elements.
GOOD BONES Day 2 | WATERCOLOR | Saturday, March 14 | 9am – 4pm*·      We will learn: an introduction to basic watercolor tools and techniques, using a simple palette of colors; learn how to use watercolor to enhance the sense of architecture and space in your sketches; in the afternoon, put perspective and watercolor together.                                             * One hour break for lunch.
GOOD BONES Day 3 | OPEN SKETCHWALK | Sunday, March 15 | 10am – 12:30pm  Anyone can join us! An important, optional half day to cement what you’ve learned, joined by other sketchers.

GOOD BONES SAN ANTONIO is open to 15 participants with any level of experience, but it’s targeted to sketchers who want to improve their basic sketching and understanding of perspective and watercolor.
Workshop Registration is open now. To sign up, contact Stephanie by email at stbower@comcast.net  The first 15 emails will be accepted—first come, first served. A waiting list will be created in case spots open up.

Workshop fee is $250.00 payable by check once you are notified via email of a confirmed spot in the workshop.
Cancellation In the unforeseen event the workshop is cancelled, all fees will be reimbursed. If you have to cancel your participation, please contact Stephanie Bower at stbower@comcast.net     By February 1, all fees reimbursed; By February 15, 50% of fee reimbursed; After March 1, 0% of workshop fee reimbursed.                                    
A materials supply list and additional information will be emailed to registered participants.

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This workshop is in a FABULOUS location! The Pearl District in San Antonio is one of the best urban spaces in the country. Beautiful renovated old buildings, farmer’s market, cafes and shops, great tex-mex, interesting architecture, all along the glorious San Antonio Riverwalk. I hope you can join me!!

Workshop: San Jose, CA | May 2020

We’ve been planning this one a long time, so it’s exciting to finally be able to announce this workshop! The 3 S’s are together! Here’s the info:

People | Places | Color

A Sketching Workshop by Suhita Shirodkar | Stephanie Bower| Shari Blaukopf

May 15-16, 2020 | 10am-5pm | Downtown San Jose, CA

About the Workshop: This is a rare opportunity to learn location sketching from three globe-trotting Urban Sketchers specialists, doing what they do best!

Suhita Shirodkar (USA) will teach quick sketching of people in motion.

Stephanie Bower (USA) explains the basics of perspective sketching.

Shari Blaukopf (Canada) teaches her masterful use of watercolor.

Each participant will get a half-day/3-hour session with each of the instructors. The final afternoon session will put it all together in a joint sketching class taught by all three instructors. Maximum class size is only 12 people.

We are also adding an optional opportunity to join other sketchers on Sunday morning, May 17, for a Sketching Meet-Up that is open to all sketchers. Another chance to cement what you have learned!

Additional information about locations, recommended sketching supplies and more will be sent to registered participants at a later date.

COST: $300.00US/person. Payable by check (preferred method) or PayPal ($310.00US including additional transaction fee.) Payments will be coordinated by Stephanie at s.bower.arch@gmail.com.

How to sign up: Registration starts precisely on Sunday, December 15, 2019, at 12:00noon West Coast Time (no sooner, please.) First come, first served, in the order your email is received. To sign up, email s.bower.arch@gmail.com. Workshop payment is due January 1- February 1, 2020.

For more info about this workshop, contact the instructors directly. See you in California!!

Workshop: SEVILLA | April 17-23, 2020

When workshop organizer Brenda Murray approached me months ago about doing a workshop ANYWHERE–yes, she said “anywhere” in the world–my first choice was Seville, Spain. I was there in 2011, and it continues to call to me.

Here’s the chance for you to join me! The Studio 56 Boutique workshop info is HERE. It’s five days of focused instruction (the workshop info link shows the itinerary and amazing places we will go), including a field trip to the hill town of Ronda, and more. Registration is open now!!!

Would you believe that in 2011, I had just re-started sketching after a 25 year hiatus called “work and raising kids”? At that time, I was only sketching in pencil–no watercolor– and I had no idea that Urban Sketchers even existed!!!

This is part of why I’m so eager to go back, as the architecture of southern Spain is INCREDIBLE–gorgeous colors, charming streets, textured tile roofs, amazing detail and tilework, and it’s all infused with a strong and beautiful Moorish influence. To compare with my sketches of today, here are a few from 2011.

And here is one from this past summer in Barcelona. Things have definitely evolved!! Color adds so much, but it’s also much more difficult, especially when painting on the spot! We will of course draw and paint on location…

Please consider joining me in beautiful Spain! I can promise we will eat too much, see amazing places, sketch everything (including the tapas), and have a great time! (The best tapas I ever ate were in Seville…maybe that’s why I want to go back??)